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NEW YORK, NY, February 23, 2024 (GLOBE NEWSWIRE) — Eminence Rise Media continues to be at the forefront of promoting excellence in the arts, and as one of many prominent African-American We are excited to celebrate Black History Month in memory of Michel Basquiat. This Black History Month, through his masterpiece “200yen.”
Black History Month is an annual celebration of the achievements of African Americans and a time to recognize their central role in American history. His week-long event officially became Black History Month in 1976, when U.S. President Gerald Ford said it would “honor the achievements of Black Americans, who throughout history have been too marginalized in all walks of endeavor.” Expanded awareness. Since then, Black History Month has been celebrated every February in the United States.
Jean-Michel Basquiat is among the many notable figures often spotlighted during Black History Month. Born into a middle-class family, the son of Haitian immigrants Gerard and Mathilde of Boricua, Brooklyn, Basquiat was a pioneer of the Neo-Expressionist movement of the 1980s. During that time, Basquiat gained acclaim for his radical, expressionistic works that denounced racism, colonization, and capitalist domination, and passionately sought recognition for oppressed groups. Despite early struggles, Basquiat first gained recognition as part of his graffiti duo His SAMO, leaving his mark on the streets of New York City with cryptic messages and striking images. His early works combined words, stick figures, and animals, reflecting his natural talent and innate creativity. As an artist, he emphasized mediated and conceptual contrasts.
Below is Jean-Michel Basquiat’s “200 Yen”. The painting explores Basquiat’s favorite subjects, including colonization, commerce, racism, and oppression, all in historical context. The recurring tag “SAMO” stands for “Same Old Shit” and pays homage to Basquiat’s early career and his critical message aimed at the art world. “SAMO@” continues to appear in subsequent works, cementing its importance. The explicit reference to “200 yen” is consistent with the average exchange rate of the US dollar to the Japanese yen in 1982, and the rise of the Japanese economy as a “colonizing” hegemonic power in the early 1980s. It symbolizes. Phrases like “TAX-FREE” and images of rockets are similar to Basquiat’s favorite theme, the Opium Wars. This connection draws historical parallels between the imposition of dependent products on colonized peoples in the past and the contemporary economic dependence imposed on the West by new colonizers. .
Basquiat’s influence as an artist extends beyond his short time on earth and continues to inspire generations to come with his deep artistic vision and instantly recognizable personality. Needless to say, Basquiat’s vast body of work is timeless, not just as African American art, but as world art.
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