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“Drive-Away Dolls”: A group of lesbian friends embark on a comedy-noir road trip.
Margaret Qualley and Geraldine Viswanathan play friends who discover a mysterious briefcase and come into conflict with an incompetent con man in Drive Away Dolls.
From goofy villains to wall-mounted sex toys, ‘Drive Away Dolls’ plays like a signature Coen Brothers movie, even if it’s just one of the great filmmaker brothers This often happens.
Directed by Ethan Coen and co-written with his wife Tricia Cooke, this crime comedy (★★★ out of 4, rated R, now in theaters) stars Russ Meyer and John Waters as a B-grade It goes back to movies and psychedelics in the 1960s. Yet, it’s given a modern sensibility courtesy of her two extremely charming protagonists. Margaret Qualley and Geraldine Viswanathan co-star as fellow lesbians in this noir-studded road trip that takes a while to get into gear, but once it does, it’s totally in the groove.
Set in 1999 on the eve of Y2K and the election cycle, this gonzo tale centers on a pair of Philadelphia women in need of a change of pace. Jamie (Qualley), a wild child who is caught having an affair, is chased out by his cop girlfriend Sookie (Beanie Feldstein). There, Jamie finds out that his friend Marian (Viswanathan), an extremely straight-laced man who is dissatisfied with her office job and non-existent love life, takes a trip to Tallahassee, Florida to go birding with her aunt. While you’re making plans, invite yourself to come along.
The two sign up for a one-way rental to deliver the Dodge Allies to the South. However, they are given a car designated by the crime boss, the police chief (Coleman Domingo), with an important briefcase in the trunk. Jamie and Marian suffer a series of misfortunes, including a make-out session with the women’s soccer team as part of Jamie’s various attempts to build a relationship with Marian, but the Chief’s henchmen (Joey Slotnick and CJ Wilson) is in hot pursuit.
Despite a breezy 84 minutes, “Dolls” meanders through multiple plotlines at the beginning, but the chemistry between the core actresses keeps you hooked as the characters develop through the odd couple’s bickering. Masu. Qualley uses her Southern personality (similar to her mother, Andie MacDowell) to lend a sassy quality to her Texan role, while Viswanathan deftly plays the straight woman, so to speak, as the upright Marian. chose to read a Henry James novel rather than have sex in a landscape. Gay bar. Like Domingo, Viswanathan has made everything better about herself, but it’s criminal that she’s not a big star now. That said, a fun twist here should solve her case.
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A series of acidic, trippy changes (also featuring Miley Cyrus) don’t make much sense at first, but they eventually pay off when Jamie and Marian find and open the briefcase. (Not that it’s spilled, but the content does wonders for the propulsion of the story.)
Since the Coen couple’s last collaboration, the 2018 Western anthology The Ballad of Buster Scruggs, the brothers have gone their separate ways. Joel Coen followed the path of Shakespeare with The Tragedy of Macbeth, but Ethan Coen’s Dolls is a genre-blending film like Rising Arizona, Blood Simple, and The Ladykillers. It feels close to something. Similarly, the new film boasts a diverse supporting cast. Feldstein plays Jamie’s ex-lover, a lively and mysterious character, and cameo king Matt Damon does well as a shady conservative senator.
Women in Coen Brothers films are usually the much smarter gender. As with “Dolls,” Joel Coen and Cooke’s screenplay creates a close relationship between the heroines that is truly fun to watch surrounded by self-paced personalities and characters. Just the right amount of camp feeling. This is a playfully reckless turn on the “Thelma & Louise” model, and when Jamie and Marian decide to drive their car off a cliff, you’ll want to ride in that Dodge with them.
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